"Listen to them, the children of the night. What music they make!" This chilling pair of Collider Delay+Reverb presets is a reprise from the original Source Audio Collider demo video. The "Dracula: Parts 1" preset (you will hear it on the bass) combines a quick moving Reverse Delay with several repeats and a super-long E-Dome Reverb. "Dracula: Part 2" (on the guitar) features a murky Oil Can Delay mixed with an animate Lexicon Hall inspired reverb. The chilling atmospheric capabilities of the Collider make it an essential tool in creating haunting movie soundtracks.

A massive portion of the C4 Synth's development period was dedicated to making the C4's tracking/pitch detection as quick and accurate as possible. Months of testing, tweaking, and re-testing went into making the C4's response second-to-none. Case in point are these two excellent presets inspired by Pat Metheny's legendary guitar synth tone. Metheny famously used the Roland GR-300 Guitar Synthesizer to achieve his sound. Though limited in its tonal diversity the GR-300 excelled in its lightning fast tracking (reliant in no small part to the required GK-1 guitar pickup). These two presets revolve primarily around the Saw Wave Oscillators, with a touch of dry signal in the mix. 

The first preset - titled, "Metheny GR Lead" - was created by @daschwar. The good folks from the Jazz Innovation channel borrowed the preset and created this excellent sound clip. That is some spot-on tracking.

The next preset - titled, "Metheny GR300 Lead" - was created by @suhrplayer. We borrowed the preset and put our friend (a superb jazz guitarist) Tristan Jantz in front of the camera to record this short n' sweet, Metheny inspired jam. This session was especially cool because Tristan brought in his groovy Gibson ES-175 and ES-335 - sweeeeet guitars... sweeeet synth tone.

Boo! Happy Halloween, everybody. In honor of the most horrifying of all holidays, let's have ourselves a Spooky Neuro Preset Party! This preset marks the return of our man @jondom22 - he's been featured before. This preset combines a couple of Saw Wave Oscillators (one set an octave down), and a Monophonic Pitch Shifter set to a 5th (through a Gated Fuzz) - it all adds up to pure nastiness. The accompanying sound clip is fantastic - when we call it "spooky," we of course mean "spooky funky." Not positive if this was inspired by the Edgar Winter track, but it certainly shares a similar spirit.