This week, using the L.A. Lady Overdrive, Spectrum Intelligent Filter and Collider Delay+Reverb, Nick chases the wah-wah and stereo fuzz sounds from "How Many More Times" by Led Zeppelin. The main trick in creating this clip was Nick's use of the L.A. Lady Overdrive's ability to split the guitar signal to 2 channels and send a different fuzz/overdrive sound to each of the pedal's stereo outputs. Using these stereo capabilities, Nick mimicked the double tracked and hard panned guitars of Jimmy Page's guitar. The original recording features a Maestro FZ-1 fuzz pedal coming from one side of the stereo spread and an overdriven Supro Coronado 1690t amplifier coming from the other. 

Nick replicates the mega-squashed guitar tone in the opening bars of Tame Impala's instrumental exploration, "Jeremy's Storm." Guitarist/songwriter/producer Kevin Parker is famous for using extreme amounts of compression, going as far as using two compressor pedals in series. Nick takes advantage of the Atlas Compressor's ability to internally stack two compressor effects to capture Parker's signature tone.  Then as a finishing touch, he throws in a dab of chorus from the Gemini Chorus. If you like this tone, search for  "Jeremy's Storm Compressor" and "Jeremy's Storm Chorus" in the Neuro Editor and load them directly to your Atlas Compressor and Gemini Chorus. 

Nick replicates the guitar tone from "Hold On Loosely" by 38 Special with an L.A. Lady Overdrive and Collider Delay+Reverb