"Listen to them, the children of the night. What music they make!" This chilling pair of Collider Delay+Reverb presets is a reprise from the original Source Audio Collider demo video. The "Dracula: Parts 1" preset (you will hear it on the bass) combines a quick moving Reverse Delay with several repeats and a super-long E-Dome Reverb. "Dracula: Part 2" (on the guitar) features a murky Oil Can Delay mixed with an animate Lexicon Hall inspired reverb. The chilling atmospheric capabilities of the Collider make it an essential tool in creating haunting movie soundtracks.
A massive portion of the C4 Synth's development period was dedicated to making the C4's tracking/pitch detection as quick and accurate as possible. Months of testing, tweaking, and re-testing went into making the C4's response second-to-none. Case in point are these two excellent presets inspired by Pat Metheny's legendary guitar synth tone. Metheny famously used the Roland GR-300 Guitar Synthesizer to achieve his sound. Though limited in its tonal diversity the GR-300 excelled in its lightning fast tracking (reliant in no small part to the required GK-1 guitar pickup). These two presets revolve primarily around the Saw Wave Oscillators, with a touch of dry signal in the mix.
The first preset - titled, "Metheny GR Lead" - was created by @daschwar. The good folks from the Jazz Innovation channel borrowed the preset and created this excellent sound clip. That is some spot-on tracking.
The next preset - titled, "Metheny GR300 Lead" - was created by @suhrplayer. We borrowed the preset and put our friend (a superb jazz guitarist) Tristan Jantz in front of the camera to record this short n' sweet, Metheny inspired jam. This session was especially cool because Tristan brought in his groovy Gibson ES-175 and ES-335 - sweeeeet guitars... sweeeet synth tone.
Boo! Happy Halloween, everybody. In honor of the most horrifying of all holidays, let's have ourselves a Spooky Neuro Preset Party! This preset marks the return of our man @jondom22 - he's been featured before. This preset combines a couple of Saw Wave Oscillators (one set an octave down), and a Monophonic Pitch Shifter set to a 5th (through a Gated Fuzz) - it all adds up to pure nastiness. The accompanying sound clip is fantastic - when we call it "spooky," we of course mean "spooky funky." Not positive if this was inspired by the Edgar Winter track, but it certainly shares a similar spirit.
Some great C4 Synth bass presets (that sound equally great on guitar) from our friend @Quatschmacher (a.k.a Peter Kenney)! Quatschmacher has a huge collection of great presets, but we want to focus on a couple of our favorites. "How I Wasted My Life" comes in two stages: a quick moving octave down Square wave oscillator followed by two slow moving Saw wave oscillators at higher octaves. The two stage approach creates a truly magical blooming effect.
"Kitchen Sink Bass 1" runs two saw waves through a band pass filter, but things get really interesting in the second half of the clip when an external expression pedal brings in an additional FM sine wave and runs two Band Pass Filters in parallel.
We highly recommend checking out Do Noise's Youtube channel - the guy is truly a sound architect. He was one of the first to dive into the C4 Synth's Neuro Editor and really use it to its full potential. The result is this excellent collection of user presets. DN gets into a ton of the C4's different sound features, from the sequencer with "Octave Sequenced Bass," to intelligent harmonization with "C7th Chords," to alternate LFO wave shapes with "Dancing Filters." All his presets are super creative, fun, and may be just the thing you're looking for to add an unexpected twist to your latest recording.
Our friend Simon Francis is a bass effects guru. We first met Simon at the Boston Garden when he was using the Soundblox Bass Envelope Filter on tour with Ellie Goulding. Being a huge fan of bass synthesizers there was no doubt that we would need to set the bar pretty high to meet his extreme standards. After a couple of hours with the C4, Simon reported back, "the C4 brings a depth of sound and a responsive feel/tracking that I have not encountered before... this a game changer." If you're a bassist with a passion for EDM, we highly recommend checking out Simon's presets. "Reese Bass" - this classic Reese bass sound gets its outer-dimensional feel by rubbing two signals together with pitch variations that bring the sound in and out of phase - it also makes a sounds that fat as all Hell.
Simon's "Synth Bass" is spot on with that classic 70's bass synthesizer tone. Think about the early days of vintage Moog analog synth sounds. These are just a taste of the Simon Francis preset suite - we highly recommend checking out all of them.
Jon Dom got right to work with his C4 Synth - these two awesome presets are just a small taste of the awesome suite of presets created by JD! We've got all kinds of elements of the C4 at work here - we're talking programmed sequencers, pure synth tones with pitch shifting, and even some simple envelope filter sounds to cop a classic Jerry guitar sound!
A pair of Ventris Dual Reverb presets from Mr. Imer Juarez out of the DC Metro area. The first is an ambient masterpiece called "CenTillion." It cascades a the massive E-Dome engine into an octave down Shimmer engine for an all-consuming, intergalactic journey. We asked Imer about the preset creation process: "Well, it came as a surprise to me. I wanted to find a sound that was more Cosmic yet still controllable. This one in particular happened when I had someone else's preset with Kill Dry mode on. I notice how trance-like it was and it sounded like my dry signal was just in the way. That was great in and of itself but it was not until I flipped the order of the cascading engines; that's when the magic happen!"
Imer's second preset moves away from the contemporary ambient approach and takes a more vintage tack. For this preset, Imer replicates the reverb/tremolo effect of a classic Fender Vibrolux™ amplifier by cascading the Outboard Spring engine into the Modverb engine with the mix control set to 100% dry.
Our friend Tyler Gilmour (a.k.a. "BlankFor.ms") has built quite a following on his Instagram, creating what he calls "30 second symphonies." He works mainly with synthesizers, tape loops and (of course) guitar effects pedals. Last month Tyler created this excellent package of Nemesis Delay and Ventris Dual Reverb presets - all downloadable via the Neuro Editor. Check out the demo below where he plays the same loop through each of his Ventris and Nemesis presets, creating an entirely different sonic picture with each. If you dig these sounds, we highly recommend checking out his new release, Works for Tape and Piano.
There is definitely something is in the air. This magnificently haunting preset created by @diego.fresh combines the E-Dome and Lo-Fi engines. Its parallel processing with a heavy emphasis on the wet signal creates a grand blooming effect that teeters somewhere between a sprawling sci-fi lament and a swirling church organ.
Send Us Your Presets!
We want to hear what you are doing with our pedals. If you've made a cool preset, email us at firstname.lastname@example.org (Subject: "New Neuro Preset") and provide your user name, preset name, and a link to your sound clip on YouTube or SoundCloud - we'll feature some of our favorites on this page.