Bassist, Nathan Navarro demos the Soundblox 2 OFD Bass MicroModeler, Hot Hand USB, Soundblox 2 Orbital Modulator, Soundblox Dimension Reverb, and Soundblox Pro Bass Envelope Filter.
Aidan Mullen, the bass tech for Tom Hamilton of Aerosmith, talks about Tom's live rig and how he uses the Soundblox Pro Mulitwave Bass Distortion
The Soundblox 2 OFD Bass microModeler is a multi-effects unit with 12 different Overdrive, Fuzz, and Distortion tones designed specifically for the bass.
Source Audio's Will Cady demos a powerful new bass effects pedal, the Soundblox 2 Orbital Modulator. The Orbital Modulator is an extremely versatile and compact phaser, flanger, chorus, and tremolo effects pedal.
Bassist Evan Marien creates a beautiful solo bass piece with Source Audio's Hot Hand 3 and Dimension Reverb.
Jesse Remignanti, the creator of Hot Hand, talks about the inspiration and engineering behind the Hot Hand 3 Universal Wireless Effects Controller.
Source Audio visits Mr. Music in Boston to test Hot Hand 3 with several pedals made by other manufacturers.
Dirty Loops rhythm section, bassist Henrik Liner and drummer Aron Mellergårdh, have a little fun with a line-up of Source Audio pedals including the Soundblox Pro Multiwave Bass Distortion, Soundblox Tri-Mod Wah, and Hot Hand Phaser/Flanger.
Will Cady tours through the stunning new sonic territory opened up for the bass guitar through the Soundblox 2 Dimension Reverb.
Bassist Will Cady explores the many applications of The Source Audio Programmable EQ with the bass guitar.
Bassist Evan Marien brings Hot Hand bass wobbles to Funk/Fusion in this great drum and bass jam with drummer Dana Hawkins.
Will Cady of Source Audio conducts a tutorial on achieving dubstep bass wobble using the Hot Hand Wireless Adapter, Soundblox Pro Bass Envelope Filter and Soundblox Pro Multiwave Bass Distortion.
The band Pinn Panelle cover “Scary Monsters And Nice Sprites” by Skrillex. That’s our pal Nathan Navarro on bass playing some insane dubstep riffs with his Hot Hand and Soundblox Pro Bass Envelope Filter.
Aidan Mullen, bass tech for Rick Savage, talks about the Soundblox Pro Multiwave Bass Distortion and how he incorporates it into the Def Leppard sound.
Source Audio engineers Bob Chidlaw and Jesse Remignanti speak in depth about the technical aspects of the Soundblox Multiwave and Multiwave Bass Distortions.
Will Cady clones himself and tests the versatility of the Soundblox Pro Bass Envelope Filter.
In this bass solo, Will Cady of Source Audio uses a looping pedal to showcase the sounds of the Soundblox Bass Envelope Filter and the Soundblox Pro Multiwave Bass Distortion working in harmony.
Funky, Rocking and Big. The Soundblox Multiwave Bass Distortion boasts a massive range of sounds to choose from. Will Cady and Greg Settino set up in the Source Audio warehouse to bring as much thunder as they can without the assistance of that instrument called a 'guitar'.
Will Cady demos the many sound possiblities of the Soundblox Bass Envelope Filter.
Bob Chidlaw and Jesse Remignanti, the minds behind Source Audio pedals, talk about the Soundblox Bass Envelope Filter (Part 2).
Bob Chidlaw and Jesse Remignanti, the minds behind Source Audio pedals, talk about the Soundblox Bass Envelope Filter
Will Cady goes through the different features of the Soundblox Tri-Mod Wah with his bass guitar piecing together the tracks of a videosong.
This song was made using only my bass and a wah pedal called the Soundblox Tri-Mod Wah, the only exceptions being the drum track and the guitar part at the end, which also uses the Soundblox Tri-Mod Wah.
Greg Weeks of The Red Chord plays the Soundblox Multiwave Bass Distortion.
Will Cady of Source Audio uses the Tri-Mod Wah for a modern update of 'Portrait of Tracy' by the late great Jaco Pastorius.
Will Cady takes the Soundblox series Multiwave Bass Distortion into the warehouse for a test drive of each of its six distinct settings.
Will Cady of Source Audio uses Soundblox Pro Multiwave Bass Distortion, Soundblox Tri-Mod Wah to create a sound-a-like of Daft Punk's "Short Circuit" with only his bass and a self-produced drum track.
Will Cady and Greg Settino jam out using the Source Audio Multiwave Bass Distortion Pro, using the multi-band foldback setting.
Will Cady and Greg Settino jam out using the Source Audio Multiwave Bass Distortion Pro, demonstrating morphing between effect types.
Will Cady and Greg Settino jam out using the Source Audio Multiwave Bass Distortion Pro, using the multi-band normal setting.