Bassist Nathan Navarro demos the new drive engines available for the AfterShock Bass Distortion. Engines include overdrive and fuzz sounds inspired by the Klon Centaur, Germanium Big Muff, and a modified Fuzz Face.
Nathan Navarro explores the deep and rich possibilities of the Nemesis Delay with the bass.
The AfterShock Bass Distortion features three styles of bass distortion with over 40 additional overdrive, fuzz, and distortion tones available via the Neuro Mobile App (a free download for iOS and Android devices).
Our friend Zach Rizer explores deeply the earth shacking opportunities of the AfterShock Bass Distortion.
In Episode #1 of the Neuro Walk-through we discuss how to edit effects with the Neuro Mobile App's Sound Editor.
Zachary Rizer Creates Beautiful Moog Synth Sounds with the Soundblox 2 Manta Bass Filter, Soundblox 2 OFD Bass microModeler and the Boss OC2.
Nathan Navarro delivers a beautiful bass only rendition of Mozart's "Lacrimosa" with some help from the Nemesis Delay and its amazing stereo imaging functionality.
Bassist Jesse Williams demos the Gemini Chorus from Source Audio. Jesse tests this amazing stereo chorus effects pedal with some silky fretless jazz riffs, some hard and heavy slap bass, and some smooth gliding atmospheric lines.
The AfterShock Bass Distortion a beast. It packs three bass distortion circuits that span the gamut of low-end crunch, from smooth overdrive, to cutting mid-range distortion, to full-on fuzz attack.
Take complete control of MIDI hardware rigs, the Neuro Effects System, or recording and performance software with the Soleman MIDI Foot Controller. Its three modes of control include simple program change, bank mode, and custom sequencing.
A tutorial on how to setup and connect the Source Audio Hot Hand 3 controller to any Soundblox 2 pedal. This tutorial also shows how to assign control of the Hot Hand to another function of the pedal, over the default setting.
Nathan Navarro demos the Soundblox Hub with Hot Hand USB, Ableton Live, the Soundblox 2 Manta Bass Filter, Soundblox 2 OFD Bass microModeler and more at Winter NAMM.
Jon Dusoe gets Wet & Wild with the Soundblox 2 Manta Bass Filter
Bass extraordinaire and dubstep master, Nathan Navarro tried out the Soundblox 2 Manta Bass Filter. Check the video to hear the awesome and unusual tones he pulled from it.
CMYK Rocks plays really tasteful and well recorded riffs - everything you want from a pedal demo. This Lunar Phaser with bass demo is stellar.
Here's a tutorial on how to create Hot Hand controlled bass wobbles with the Soundblox 2 Manta Bass Filter. This sound also features an Expression Pedal control thru-zero jet flanger, for an over the top bass effect! Dial it in, and turn those headphones up!
Aidan Mullen, the bass tech for Tom Hamilton of Aerosmith, talks about Tom's live rig and how he uses the Soundblox Pro Mulitwave Bass Distortion
The Soundblox 2 OFD Bass microModeler is a multi-effects unit with 12 different Overdrive, Fuzz, and Distortion tones designed specifically for the bass.
Source Audio's Will Cady demos a powerful new bass effects pedal, the Soundblox 2 Orbital Modulator. The Orbital Modulator is an extremely versatile and compact phaser, flanger, chorus, and tremolo effects pedal.
Bassist Evan Marien creates a beautiful solo bass piece with Source Audio's Hot Hand 3 and Dimension Reverb.
Jesse Remignanti, the creator of Hot Hand, talks about the inspiration and engineering behind the Hot Hand 3 Universal Wireless Effects Controller.
Source Audio visits Mr. Music in Boston to test Hot Hand 3 with several pedals made by other manufacturers.
Will Cady harnesses the extreme power of the Soundblox 2 Multiwave Bass Distortion
Will Cady tours through the stunning new sonic territory opened up for the bass guitar through the Soundblox 2 Dimension Reverb.
Bassist Will Cady explores the many applications of The Source Audio Programmable EQ with the bass guitar.
Nathan Navarro adds some Hot Hand dubstep wobbles to the singer/songwriter palette in his collaboration project Dot, featuring vocalist Dylan Patrello.
Bassist Evan Marien brings Hot Hand bass wobbles to Funk/Fusion in this great drum and bass jam with drummer Dana Hawkins.
The band Pinn Panelle cover “Scary Monsters And Nice Sprites” by Skrillex. That’s our pal Nathan Navarro on bass playing some insane dubstep riffs with his Hot Hand and Soundblox Pro Bass Envelope Filter.
Aidan Mullen, bass tech for Rick Savage, talks about the Soundblox Pro Multiwave Bass Distortion and how he incorporates it into the Def Leppard sound.
Source Audio engineers Bob Chidlaw and Jesse Remignanti speak in depth about the technical aspects of the Soundblox Multiwave and Multiwave Bass Distortions.
Will Cady clones himself and tests the versatility of the Soundblox Pro Bass Envelope Filter.
In this bass solo, Will Cady of Source Audio uses a looping pedal to showcase the sounds of the Soundblox Bass Envelope Filter and the Soundblox Pro Multiwave Bass Distortion working in harmony.
Funky, Rocking and Big. The Soundblox Multiwave Bass Distortion boasts a massive range of sounds to choose from. Will Cady and Greg Settino set up in the Source Audio warehouse to bring as much thunder as they can without the assistance of that instrument called a 'guitar'.
Will Cady demos the many sound possiblities of the Soundblox Bass Envelope Filter.
Bob Chidlaw and Jesse Remignanti, the minds behind Source Audio pedals, talk about the Soundblox Bass Envelope Filter (Part 2).
Bob Chidlaw and Jesse Remignanti, the minds behind Source Audio pedals, talk about the Soundblox Bass Envelope Filter
Will Cady goes through the different features of the Soundblox Tri-Mod Wah with his bass guitar piecing together the tracks of a videosong.
This song was made using only my bass and a wah pedal called the Soundblox Tri-Mod Wah, the only exceptions being the drum track and the guitar part at the end, which also uses the Soundblox Tri-Mod Wah.
Greg Weeks of The Red Chord plays the Soundblox Multiwave Bass Distortion.
Will Cady of Source Audio uses the Tri-Mod Wah for a modern update of 'Portrait of Tracy' by the late great Jaco Pastorius.
Quintin Berry at Winter NAMM 2010 using Source Audio pedals to cover "Voodoo Chile" by Jimi Hendrix.
Will Cady of Source Audio uses Soundblox Pro Multiwave Bass Distortion, Soundblox Tri-Mod Wah to create a sound-a-like of Daft Punk's "Short Circuit" with only his bass and a self-produced drum track.
Will Cady and Greg Settino jam out using the Source Audio Multiwave Bass Distortion Pro, using the multi-band foldback setting.
Will Cady and Greg Settino jam out using the Source Audio Multiwave Bass Distortion Pro, demonstrating morphing between effect types.
Will Cady and Greg Settino jam out using the Source Audio Multiwave Bass Distortion Pro, using the multi-band normal setting.